Celebrities
Sanam Saeed Urges Pakistani Artists to Build Their Own Identity
Fresh off her widely discussed Cannes debut, actor Sanam Saeed has returned home, yet the resonanceof her appearance at the 2026 Cannes Film Festival continues.
Representing Pakistan alongside designer Hussain Rehar, Sanam stood out as one of the few Pakistani artists to make a significant mark at the prestigious event. However, for her, the trip transcended red carpets and photo ops; it was fundamentally about representation.
In a podcast interview, Sanam described the experience as a “breakthrough moment” for Pakistan, emphasizing the critical need for Pakistani artists to cultivate their own distinct identity rather than being lumped under the generic “South Asian” label.
Interestingly, this was not her first invitation to Cannes; it was her third. “The first time I couldn’t go because of a brand contract, the second time I was shooting in the UK, and this time my child wasn’t even one year old, but I knew I had to go,” she shared.
Unlike many celebrity appearances at Cannes, Sanam was not there to promote a film or represent a luxury brand. “I was confused at first,” she admitted. “I kept asking, ‘Why am I going?’ But then I realised, it was simply about representing Pakistan.”
And that, according to the Zindagi Gulzar Hai actor, is exactly why the trip resonated so strongly. “There was no agenda,” she said. “We went quietly, did what we had to do, and it blew up on its own.” Even criticism over one of her sleeveless outfits did little to distract her from the bigger picture.
Every look she wore was designed locally, with two of her outfits handcrafted by women artisans in Bahawalpur. As Rehar told her, “I’m just so proud to be Pakistani. Everything I brought came from Pakistan.”
The Cannes experience also pushed Sanam to think bigger about her own future. “I can’t sit and wait for opportunities to come to me,” she said. “I want to create them.” That mindset, she revealed, is now pushing her toward production. Her goal is simple: tell Pakistani stories in a way that travels globally.
“Family dramas are loved everywhere,” she said. “That’s our strength, we just need to package them differently.”
The Kafeel actor also spoke candidly about her frustration with Pakistan’s traditional television model, where actors often get trapped in repetitive roles because of ratings pressure. That is why, she said, the rise of streaming platforms feels refreshing.
Her upcoming Netflix project, Jo Bachay Hain Sang Samait Lo, reflects that shift. “There’s a little bit of everything for everyone,” she said. “Our track is probably the least desi; we joke that it’s the Italian one.”
She also welcomed the industry’s growing appetite for experimentation. Talking about the new Eidul Azha release Zombied starring Fahad Mustafa, she said, “A Pakistani zombie film? I love that,” she laughed. “At least someone is trying something new.”
For Sanam, however, storytelling has always meant more than entertainment. Reflecting on her recent drama, Kafeel, she said hearing from women who personally related to its difficult themes was “heartbreaking.” “If even one woman’s life changes because of my work,” she said, “that means the mission is accomplished.”
It is the same philosophy that shaped earlier projects like Zindagi Gulzar Hai and Daam, stories that entertained, but also carried weight.
At the same time, she had a clear warning for the industry. “If we keep glorifying toxic behaviour on screen, it will keep being normalised.”
Behind all the glamour, Sanam admitted, Cannes was anything but effortless. Her visa came through late, there was no massive entourage, and she managed the trip with just her sister and manager, all while raising an infant. It was hectic. It was exhausting. But for the Barzakh actor, it was worth it.
Because today, she is no longer just one of Pakistan’s biggest stars; she is becoming one of its strongest voices on the global stage.
Celebrities
Adeel Husain on leaving the spotlight and returning with ‘Doctor Bahu’
Actor Adeel Husain spoke about his long break from acting, his return with *Doctor Bahu*, and why complex roles appeal to him more than playing a conventional hero.
Husain had seemingly vanished from the media, but a recent interview revealed the move was deliberate — he chose to focus on his personal life and take on just one project a year.
After a busy 2016 filled with prominent TV and film work, he eventually stepped back from the constant cycle of sets, promotions and public appearances.
“I had a long stretch of doing a lot of work. Then my two films were released, I promoted them and I was exhausted,” he said.
Around the same period, his personal life had also taken a different turn. “I also was in a relationship and met someone amazing at the end of 2013 and 2014. After that, I needed time for myself,” he added.
Husain’s approach to his career subsequently became more selective. He remained interested in challenging scripts but wanted to take on fewer projects rather than constantly remain on screen.
“Around a year into it, I was still trying to find interesting scripts, so I thought I’d do a good drama once every year. I thought I’d earn that. Maybe I was naive. Some people took offense to that,” Husain said.
Hussain took another year off in 2017, although the gap appeared much longer to audiences because of the difference between film promotions and drama work.
“I took a year off in 2017 and people were like, ‘He’s been gone for years.’ But I felt responsible to push stories I didn’t really enjoy,” he said.
His decision to step away was also rooted in how he viewed fame and the opportunities it could provide. “I felt fame should enable you to do better work,” he said.
At the time, Husain had reached a point where he wanted to experience more than just the demands of being on set.
“I felt it was necessary for me because I was just that age, in my mid-30s, and I didn’t want to just be on set. I enjoyed that. So I guess I’m not sorry to my fans,” he said.
Despite his absence, his fans had continued to keep up with him and let him know they wanted to see him back on screen. “
I took it as a compliment. They knew, though. My fans are absolutely amazing. They really were on my case,” Husain said.
Husain eventually returned to the screen with Doctor Bahu, taking on the role of Dr Faizan, whose personal and marital conflicts made him a far more complicated character than a conventional hero.
The project also reunited Hussain with Mehreen Jabbar, with whom he had previously worked on Jackson Heights and Dobara Phir Se in 2014 and 2015.
“I loved working with her. I was excited. I’m working with her after nine years, and we have so much chemistry,” he said.
Husain also recalled his first reading of the script. “When I read it at first, I had my instincts, even though I know that characters should serve their story,” Hussain said.
That uncertainty was part of what drew him towards the role rather than away from it. “I think if you’re not feeling a little afraid, there’s nothing of value to do there,” he said.
Faizan’s story involved infidelity, emotional distance and a troubled marriage, but Husain wanted to approach him as a human being rather than simply as a flawed husband. “I did realise it’s a huge responsibility. Infidelity is a thing there, but I need to play him as a human being,” he said.
Jabbar’s direction gave Husain a particular way into the character. “She told me to play him as someone who loved his wife but now he’s in a part of his life where things are not good,” he said.
The toxicity within Faizan’s family, particularly under Shah Nawaz, also gave Husain another way of looking at the character.
“Then I revised. They’re living under the hegemony of their father. I slowly realised there’s an opportunity here. More or less, he’s an invisible character who is not giving his marriage or wife due attention, for whatever reason,” he said.
The experience ultimately became one Husain found deeply rewarding. “I have had amazing experiences with Doctor Bahu. I was trying to hide my own joy,” he said.
Husain’s interest in Faizan also reflected his broader preference for characters who were not simply good or bad. Even during his earlier work, he had found motivations beyond the traditional hero archetype more exciting.
“Even when I did Jackson Heights, I was in the middle of playing a hero at that time. But these kinds of motivations are exciting. It can be boring playing a goody two-shoes,” he said.
Husain also acknowledged that an actor’s performance depended on factors beyond their individual control, particularly the collaborators they worked with.
“It’s important to acknowledge that with performance, there are more skills that you don’t control. You don’t control who you will work with, but you hope they’re professional and good with what they do,” he said.
“I’ve been very lucky to work with amazing actors. They brought their A-game,” he added.
Acting had not always been Husain’s plan. As a child, he had imagined a career that was considerably further removed from television and film. “I wanted to be an astronaut. People told me, ‘No, it’ll be difficult to go to a different city, think about a different planet,’” Hussain said.
Animation had also been a strong interest, particularly Japanese animation and visual arts. “If I wasn’t an actor, I’d be an animation director. I was very into Japanese animation and visual arts,” he said.
There were other possibilities he had considered too. “Also maybe a sportsman or pilot. These kinds of dominating fields,” Husain said.
His years away from the screen had ultimately given him the space to step outside the expectations attached to an actor’s career. Rather than measuring his relationship with acting through constant visibility, Husain had chosen to wait for work that offered something he genuinely wanted to explore.
Read more: Atif Aslam Returns to the PSL Spotlight with Season 11 Anthem
Celebrities
Humaira Bano & Usman Peerzada Speak On Their Marriage Rumours
Humaira Bano is a seasoned Pakistani TV actor who recently made headlines after she shared her marriage news with fans. In August, the senior actress announced the news of her marriage on her official Instagram. However, she didn’t reveal the face of her mystery man on social media, which sparked a wave of speculation, with multiple pages starting to spread rumours that she had gotten married to Usman Peerzada and that he had divorced his wife, Samina Peerzada.
To clarify the news, Usman Peerzada had to come on Rise & Shine, a morning show hosted by Nadia Khan.
In the show, he said, “You guys know social media better. I only know I have one wife for five years, and I pray she remains my wife for the next 50 years. I can’t understand why these people spread lies to earn money and clicks. I have no idea what was behind linking me and Humaira together. It didn’t damage us, but true fans were hurt. I had been receiving multiple calls from concerned fans. We should not even clarify, as people already know. I just talked to Humaira and her husband, and we laughed at the matter. People have spread my divorce rumours a thousand times. These things go on.
Humaira Bano also refuted all such claims in a conference video call with Usman Peerzada and Uzma Tahir.
The rumour started when a YouTube channel claimed that Humaira Bano has married her colleague and senior actor Usman Peerzada who has divorced his first wife Samina Peerzada and got nikahfied with Humaira Bano.
Celebrities
LHC hears Meesha Shafi’s appeal against Rs5m penalty in Ali Zafar case
The Lahore High Court (LHC) has directed that a response be submitted within seven days regarding singer Meesha Shafi’s miscellaneous application, which challenges a trial court’s ruling that required her to pay Rs5 million in damages in a defamation suit brought by fellow singer Ali Zafar.
A two-judge bench, presided over by Justice Ahmad Nadeem Arshad, took up Shafi’s appeal contesting the decision handed down by the lower court.
In her appeal, Shafi contended that the trial court had failed to properly evaluate both the factual circumstances and the applicable legal provisions while adjudicating the defamation case.
She further asserted that the defamation proceedings had been concluded without any substantive determination regarding the validity of her sexual harassment accusations against Zafar.
Shafi apprised the court that litigation concerning her sexual harassment claims remains pending before the Supreme Court of Pakistan.
As per her plea, an allegation that has not been proven cannot automatically be deemed false simply on the grounds that it remains unsubstantiated.
Shafi has requested that the Lahore High Court overturn the trial court’s directive obligating her to pay Rs5 million in damages.
The high court had earlier stayed the trial court’s order in so far as it pertained to the damages amount. During the most recent hearing, the bench instructed the concerned party to file a response to Shafi’s miscellaneous application within a period of seven days.
The broader conflict originates from the sexual harassment allegations that Shafi leveled against Zafar. Subsequently, the trial court, in the defamation proceedings, ordered Shafi to pay Rs5 million in damages.
Shafi has now appealed that ruling before the Lahore High Court, which means the issue remains under judicial review and the trial court’s decision does not represent the final word in the appellate process.
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