Films

Fahad Mustafa & Mahira Khan Unmask First ‘ALBM’ Glimpse

Superstar Fahad Mustafa has set social media ablaze with the first cryptic look at his upcoming film ‘ALBM,’ confirming the full teaser featuring Mahira Khan will debut on January 3, 2026.

In an 11-second Instagram clip, the duo appears wearing striking red masks, staring intensely as the camera zooms in—fueling fan speculation about the mysterious plot and tone. Mustafa captioned the post: “Behind the masks are faces you know… and a story you don’t.”

The actor recently announced the wrap of filming, describing it as “months of passion, precision and storytelling,” and signaling the start of the promotional countdown. Fans flooded the comments, eagerly anticipating his on-screen reunion with Mahira Khan and predicting major buzz for Pakistani cinema.

While details remain tightly guarded, the film—written and directed by Bilal Altaf Khan, with comedian Tabish Hashmi in a key role—has already sparked industry talk of a possible Eid-ul-Azha release. For now, audiences can only anticipate the steady rollout of hints toward one of the year’s most awaited films.

Related Topics:ALBM Bilal Altaf Khan Eid ul azha Fahad Mustafa Lollywood Films Mahira Khan Pakistani new Film Tabish hashmi

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AI Meets Storytelling: Pakistan Unveils The Next Salahuddin

Deedar

Films

AI Meets Storytelling: Pakistan Unveils The Next Salahuddin

The premiere, held at Karachi’s Nueplex Cinema, attracted media representatives, cultural icons, and distinguished guests, showcasing a bold step toward the future of filmmaking.

Written and directed by Farhan Siddiqui, the film blends advanced technology with a socially conscious narrative. Veteran producer Ustad Asim Ismail highlighted that while the story draws inspiration from historical events, it remains relevant to contemporary social realities.

Notably, the production did not involve any live actors, physical locations, or traditional sets, yet audiences experience the story seamlessly, unaware of its AI-generated origins.

“AI-based filmmaking offers unprecedented efficiency, safety, and cost-effectiveness,” Farhan Siddiqui explained. “There are no location issues, no scheduling conflicts, and no risks associated with on-site shoots. The entire film was produced from a single room.”

The 55-minute feature is structured for younger viewers, adopting a fast-paced, reel-like format to maintain continuous engagement. Farhan Siddiqui emphasized that the film aims to make audiences laugh, cry, and reflect, while inspiring young people to believe in their ability to effect meaningful change.

Producer Asim Ismail described The Next Salahuddin as a voice for peace, human rights, and solidarity, with a particular focus on the plight of Palestinians. He hailed the project as a historic achievement that could establish Pakistan’s creative identity on the global stage.

Speaking at the event, writer and director Talal Farhat urged emerging filmmakers to move beyond stereotypical narratives centered on violence, feudal conflicts, or formulaic family dramas.

“In today’s digital age, technology and artificial intelligence shape human relationships faster than ever,” Talal Farhat remarked. “Avoiding AI is no longer an option. Filmmakers must embrace it to innovate and redefine storytelling.”

The film will be released in multiple languages, including Urdu, English, Bengali, and Arabic, catering to both domestic and international audiences.

Plans are also underway to submit The Next Salahuddin to an international film competition in France in March 2026, along with screenings in Malaysia.

The premiere of The Next Salahuddin represents a landmark achievement for Pakistan’s film industry, uniting history, social messaging, and artificial intelligence to usher in a new era of storytelling.

Films

Sindh Minister Announces ‘Mera Lyari’ To Showcase Lyari’s True Spirit

Sharjeel Memon condemns Indian propaganda, celebrates Lyari’s culture & peace

Dhurandhar, an espionage thriller starring Ranveer Singh, has sparked widespread backlash for its negative portrayal of Pakistan, particularly the Lyari area of Karachi.

The film’s depiction of Lyari as a war-torn, violent region led to its ban in Pakistan, with the government condemning it as harmful political propaganda intended to tarnish the country’s image.

Sharjeel Inam Memon, Sindh’s Minister for Information and Broadcasting, strongly condemned Dhurandhar on the social media platform X. He accused the film of intentionally vilifying both Lyari and Pakistan, labeling it as a deliberate attempt to mislead global audiences.

Sharjeel Inam Memon asserted that Lyari is a thriving hub of culture, peace, talent, and resilience, far from the violent image painted in the Indian film. He revealed that Mera Lyari will be released next month to offer a more accurate, inspiring narrative of the area’s true legacy.

“Lyari is a region of peace, prosperity, and pride,” Memon said, expressing confidence that the film will correct the misrepresentation of the region fostered by Dhurandhar.

The announcement was accompanied by the release of two official posters for Mera Lyari, featuring celebrated Pakistani actors such as Nadeem Ejaz, Samina Ahmed, and Dananeer Mobeen.

The film, produced by Ayesha Omar and directed by Abu Aleeha, promises to showcase the unity, culture, and achievements of Lyari’s people, offering a fresh, positive perspective of the region.

Films

Chaudhry Aslam’s Wife Slams ‘Dhurandhar’ for How It Shows Her Husband

Bollywood’s upcoming movie Dhurandhar is causing big controversy in Pakistan after its trailer came out. The film is set in Pakistan and stars Indian actors like Ranveer Singh, Akshay Khanna, and Sanjay Dutt as real-life Pakistani people. Filmmakers call it an exciting crime and action drama—but many Pakistanis are upset.

Social media users say India has “no new ideas” and is using unfair, made-up versions of Pakistan for entertainment. Critics add that the movie focuses on Indian “heroes and soldiers” but ignores India’s own military history. They claim Indian soldiers “lack courage” and “often surrender in wars,” making the film “embarrassing.”

One of the loudest voices against the film is the wife of Chaudhry Aslam—a famous Karachi police officer who fought terrorism and mafias before he was killed. She is angry about how the movie shows Rehman Dakait, a notorious gang leader from Lyari.

She says the film makes Dakait look like a big, powerful criminal, but that’s not true. “He was just a small-time crook,” she explained. “He only extorted money from local businessmen and sold drugs in his neighborhood—he wasn’t a public figure.”

She criticized a scene where Dakait gives a speech at a gathering in Lyari, with a photo of Benazir Bhutto in the background. “What are they trying to show? Who even was Rehman Dakait?” she asked.

She also wondered why Bollywood chose to highlight Dakait instead of her husband. “Chaudhry Aslam is the real hero who fought all the big mafias,” she said. “If anyone should be in a movie, it’s him—not Dakait.” She called on Bilawal Bhutto and the Sindh government to speak up or take action.

The debate is getting bigger as Dhurandhar’s release nears. People in Pakistan are accusing the film of political bias, lying about history, and being insensitive to their culture. For now, the controversy shows no signs of stopping—with both public figures and regular viewers questioning the movie’s motives and inaccurate portrayals.