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Why Pakistani Dramas Are Missing From Netflix? Humayun Saeed's Take

Humayun Saeed says Pakistan’s storytelling style differs from global OTT trends, calling for a homegrown streaming platform and government support to bridge the gap

Words byMina⏱ 3 min read
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Humayun Saeed on Pakistani dramas and netflix
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Pakistani dramas have built a loyal audience beyond the country's borders, but their limited presence on major international streaming platforms remains a subject of debate. For actor and producer Humayun Saeed, the reason may have less to do with the quality of local productions and more to do with the way Pakistani stories are told.

Speaking in an interview with Ali Salman, published on Monday, Saeed offered his perspective on why Pakistani dramas have yet to secure a stronger foothold on platforms such as Netflix. He suggested that the industry's traditional storytelling techniques differ considerably from the kind of content that global OTT services typically seek.

“Our dramas have a unique style of their own. [Our] writing has a style of its own,” Saeed explained, pointing to the way dialogue is written and delivered in Urdu. He noted that the language brings its own rhythm and performance style, which may not always fit the expectations of international streaming platforms.

He described OTT content as edgy and different, admitting that the Pakistani industry has not been particularly successful in producing that kind of material on a wider scale. However, he was careful to distinguish between the industry's overall capabilities and the opportunities available to its creators.

According to the producer, there are people in Pakistan who understand how to develop stories suited to streaming platforms. The problem, he suggested, is that the country lacks suitable platforms to support such work and give it the space to grow.

Why Pakistan Needs Its Own OTT Platform

The conversation eventually turned to Netflix and Pakistan's absence from the global streaming giant's market. Saeed acknowledged that political considerations could be among the factors behind the situation, although he did not expand on the point.

Rather than relying entirely on international companies to open their doors, he believes Pakistan should first focus on building its own streaming infrastructure. A domestic OTT platform, he suggested, could give local filmmakers and writers an opportunity to experiment with different storytelling formats while helping the industry develop content that appeals to wider audiences.

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Humayun Saeed: Pakistan Needs Its Own OTT Platform To Take Dramas Global

He pointed to India's experience as an example of how a local streaming market can develop over time. “Even in India, [domestic] OTT platforms came first. They've been developing for the past 12 to 13 years,” he said.

He also called for government involvement, suggesting that officials should engage with Netflix to find a way forward. In his view, addressing the issue would require more than individual creators attempting to break into the international market on their own.

Pakistani Celebrities Have Different Views on Netflix

Saeed is not the only prominent figure in the entertainment industry to weigh in on the subject. Pakistan's relationship with international streaming platforms has become an increasingly discussed issue, with several actors offering their own explanations and solutions.

Just last week, Urwa Hocane pushed back against the idea that Pakistan should be overly concerned about Netflix, arguing that the country's entertainment industry is already doing better than that. Her remarks offered a different perspective on whether international recognition should remain the industry's primary goal.

Faysal Quraishi, Shamoon Abbasi and Usama Khan have also shared their views on the matter. Although their opinions differ, the potential of Pakistani dramas to attract substantial audiences remains an important part of the wider conversation.

Government Efforts to Engage Global Streaming Giants

The issue has also reached the government level. In July, Federal Minister for Planning and Development Ahsan Iqbal announced that the government was in talks with Netflix and other international streaming companies to address the regional framework.

Pakistan's television dramas have already demonstrated their ability to connect with audiences through emotionally driven stories and culturally familiar characters. The challenge, as Saeed sees it, is finding the right environment to take that storytelling beyond its traditional boundaries without losing the qualities that make it distinctive.

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