Entertainment

Rabia Abid Ali Reveals Untold Truth About Her Second Marriage with Abid Ali

Rabia Abid Ali, one of Pakistan’s most versatile and commanding television actresses, is known for leaving a lasting impact through her intense performances especially in negative roles that demand emotional depth and complexity. Over the years, she has delivered unforgettable characters in popular dramas like Maat, Khaali Haath, Dil-e-Muztar, Mere Ban Jao, Laa, and several others, earning critical acclaim and a loyal fan following.

Recently, Rabia appeared on The Night Show with Farah Sadia, where she candidly opened up about one of the most sensitive chapters of her life; her marriage to the late legendary actor Abid Ali. Her honest revelations quickly became a talking point across social media, as she spoke about the emotional struggles, doubts, and eventual love that shaped their union.

Sharing her story, Rabia revealed that their connection began while working together on a drama set. However, she emphasized that their relationship was not rushed. Instead, it took nearly three years of reflection, communication, and emotional understanding before they decided to tie the knot. Rabia admitted she carried deep concerns because Abid Ali was already a family man, which made the decision even more complicated.

She explained that both of them were fully aware of the emotional and social responsibilities involved. While she feared disturbing his existing family life, he worried whether he could maintain fairness and emotional balance. According to Rabia, there was never any pressure from her side. The decision, she said, unfolded naturally, guided by patience and maturity.

Addressing the misconceptions surrounding Abid Ali’s personality, Rabia clarified that many people had warned her about his temperament. Contrary to those claims, she found him to be gentle, compassionate, and deeply emotional. She described him as soft-hearted, sensitive, and extremely caring; qualities that eventually made her fall deeply in love after marriage.

Rabia further shared that their bond initially started with understanding and mutual respect rather than romantic emotions. Over time, companionship, shared values, and emotional connection transformed into love. Her reflections painted a deeply human portrait of a relationship built not on impulsive emotions but on thoughtful choices and sincere understanding.

The late Abid Ali, who passed away in 2019, remains one of Pakistan’s most respected actors.

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Entertainment

‘Mera Lyari’ heads to UK Asian Film Festival, tackles stereotypes

Pakistani cinema is once more drawing international attention, reflecting the industry’s expanding global influence. The latest example is the film Mera Lyari, scheduled for its world premiere on May 2, 2026, as part of the 28th UK Asian Film Festival hosted at London’s British Film Institute.

For years, cinematic portrayals of Karachi’s Lyari neighborhood have predominantly framed it through the lens of crime and turmoil. Mera Lyari counters this established narrative by foregrounding the community’s vitality, perseverance, and its significant role in nurturing Pakistan’s sporting talent. The film seeks to reframe Lyari’s image, offering a more authentic perspective centred on its residents, cultural life, and profound passion for football.

Mera Lyari was first released in Pakistan in January 2026 with support from the Sindh government. The film features a strong cast including Dananeer Mobeen, Ayesha Omar and Samiya Mumtaz. It is written and directed by Abu Aleeha, who has tried to tell a story that reflects everyday life in Lyari rather than repeating familiar stereotypes.

A notable aspect of the film is that many members of the supporting cast are from Lyari. Their involvement adds a sense of authenticity to the story, allowing the film to present a more natural and honest reflection of the community, its language and its way of life.

At its core, the film revolves around football, a sport that holds a special place in the area. It shows how the game brings people together and serves as a source of hope and identity for the community. Through its characters and setting, the film presents Lyari as a centre of talent and culture, rather than one of violence.

The release of Mera Lyari also comes in response to the Indian film Dhurandhar, which faced criticism for its portrayal of Lyari as a hub of terrorism and gang conflict. The depiction sparked displeasure among those in Pakistan, with many arguing that the movie ignored the area’s positive aspects.

The controversy even led to a constitutional petition being filed in a Karachi court, particularly over the portrayal of political figures such as Benazir Bhutto.

By taking the film to an international platform, the makers of Mera Lyari hope to offer a more balanced perspective of the area and of Karachi as a whole. The screening at the UK festival may open new doors for Pakistani cinema, while also helping reshape global perceptions of the country.

More importantly, the film sends a clear message: Lyari is more than the stereotypes and stories; it is a place of culture, sport and community.

Entertainment

‘Zombeid’ Teaser: Fahad Mustafa and Mehwish Hayat Enter Zombie Madness

The wait just got a lot more intense and a lot more terrifying. The teaser for Zombeid, starring Fahad Mustafa and Mehwish Hayat, has finally dropped, and it wastes no time in setting a grim, blood-soaked tone.

Opening with a haunting voiceover – “We’ve seen wars, we’ve seen the pandemic, only this was left” – the teaser plunges straight into a chaotic montage of snarling zombies, flashing danger from every corner. It’s loud, unsettling, and unapologetically gory, signaling a dramatic departure from the safer, formula-driven storytelling Pakistani audiences are used to.

Touted as Pakistan’s first full-fledged zombie thriller, Zombeid looks determined to push boundaries. The teaser hints at a high-adrenaline narrative packed with action. One standout moment features Fahad Mustafa inside a fighting octagon, stripped down and ready for combat, suggesting that survival here won’t come easy it’ll be fought for, brutally.

Behind the madness is the familiar powerhouse duo of Nabeel Qureshi and Fizza Ali Meerza, known for delivering crowd-pleasing hits. This time, however, they seem to be trading humor and social commentary for tension, fear, and spectacle

Amid the chaos, the teaser also offers a softer glimpse into the story. A brief but intimate shot of Mustafa and Hayat together hints at an emotional core beneath the horror, a relationship that might be tested in the face of unimaginable danger. It’s a reminder that even in a world overrun by the undead, human connection remains at stake.

Set for an Eidul Azha release, Zombeid is shaping up to be one of the most unconventional films to hit Pakistani cinemas in years.

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Entertainment

Saheefa Jabbar Khattak Labels Overseas Pakistanis ‘Hypocrites’

Never one to soften her words, Saheefa Jabbar Khattak has once again found herself at the center of public conversation for her remarks about overseas Pakistanis and their often emotional ties to home.

The model-turned-actress, known as much for her outspoken nature as for her work in the fashion and entertainment industry, recently appeared on the talk show GupShab. During the conversation, she reflected on her own experience of moving abroad with her husband, offering a perspective that sharply contrasts with the nostalgic narratives often shared by expatriates.

While many public figures, including Sanam Jung, have openly discussed the emotional challenges of settling in a new country. Saheefa took a more critical stance. She questioned what she described as a pattern of contradiction among overseas Pakistanis, calling out what she perceives as a lack of honesty in how people talk about life abroad.

According to her, individuals who choose to relocate should fully embrace their new environment instead of romanticizing what they left behind. She emphasized that living overseas comes with structure, rules, and opportunities that many willingly accept, yet some continue to dwell on comforts they once had in Pakistan. In her view, this mindset reflects a kind of hypocrisy, enjoying the benefits of a new life while simultaneously longing for the conveniences of the old one.

Her comments quickly gained traction online, drawing mixed reactions; some social media users agreed with her straightforward take, appreciating her willingness to say what others might hesitate to voice. Others, however, felt her remarks overlooked the emotional complexities of migration; the quiet loneliness, the cultural disconnect, and the longing for familiarity that often accompanies starting over in a foreign land.

Saheefa, who has previously spoken about her personal struggles with mental health and taken breaks from acting, is currently focusing more on her digital presence rather than actively pursuing television projects.