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A befitting end to the fashion festival

LAHORE, Feb 20: The fashion extravaganza that gripped Lahore in the past several days came to an end with the fourth and final day of the PFDC Sunsilk Fashion Week.

Nomi Ansari opened the event with his collection titled ‘The Circus of Life’ and both shocked and entertained by having midgets come on the ramp dressed in elaborate circus costumes. They walked, they rolled and they performed to the tune of the popular hit ‘My Boy Lollipop’. The models that came on the ramp acted a little silly posing and having fun with the choreography on the show.
His collection, a radical shift from his previous monotone collection shown at the Fashion Pakistan Week last year, was a burst of extreme multi-color outfits with an interesting construction in his dresses. Designer Hassan Shehryar Yasin walked the ramp for him in an elaborate and colourful jacket and he accompanied designer Deepak Perwani when Nomi Ansari came to do his final walk on the ramp.
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The collections that did not make as big an impact as some of the others that evening included that of Rogue by Memoona Mannan, designed by her children, Sundas and Faraz Mannan. They showcased their ‘Rebel’ collection and took inspiration from ‘Spanish matadors and Jodhpur polo players’ and was decidedly western in its appearance. The celebrities who walked the ramp for them included stylist Shahzad Raza, the owner of the local brand Stone Age, Shoaib Shafi and jewelery designer Shazia Deen.
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Shaiyanne Malik showed her ‘Kama’ collection on the ramp which included skirts with a lot of layering. The models were styled in large, chunky, gold jewellery and although her collection was not revolutionary by any standards, did contain one or two outfits that stood out from the rest. Hair stylist Natasha Saigol was the celebrity who walked the ramp for her.
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Sobia Nazir showed a somewhat confusing collection. Her clothes did not gel together into a singular theme and seemed to be picked out very randomly. Titled ‘Sequence of Bloom’, it was anything but that. She employed the use of handkerchief hemlines, printed fabrics, followed predominant trends in an unimpressive collection. What was disappointing to see was that her use of embroidered lace to border her garments looked rushed and lacked finish. Her collection was not suitable for the ramp.
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The head of the Pakistan Fashion Design Council, Sehyr Saigol, who designs under the brand of Libas, showed her vintage collection. A stop-motion video of the collection directed by designer Yousuf Bashir Qureishi preceded the showing of the collection on the ramp. It showed ethnic design in slim and flowing silhouettes and predominantly circled around shades of deep orange, red, blue and beige.
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Munib Nawaz was the only menswear designer to show that evening and he displayed a collection titled ‘Kushti’ which takes its inspiration from the sport that is so popular in the local rural region. A poetry recitation inciting the audience to ‘bring out the warrior’ within preceded the showing of the collection. The models walked on the ramp and engaged in subtle displays of territorial dominance. The collection in itself was predominantly composed of western wear suits and didn’t have anything to do with the kushti sport in itself.
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One of the highlights of the evening was a collection by designer Sahar Atif who designs under the label of Saai. She showed a clean cut, flowing and elegant collection with an aesthetic that reminded one of a fusion of both Sonya Battla and Ayesha Farooq Hashwani. Her outfits were white, pleated, draped, contained voluminous flow, with a hint of pale gold fabric here and there and seemed to embody an absolute femininity. The surprise of the evening was a performance by local pop duo, Strings who joined the models on the ramp. The designer got a very big round of applause from the audience at the end of her show.
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Also one of the better collections shown that evening, Maria B’s interpretation of ‘Urban Rajastan’ was a treat to watch. Some of the features of her collection included long shirt lengths, drop-crotch pants and puffed sleeves. Her collection was predominantly composed of beige and teal. It was well-constructed and showed not only innovative design but clothes that were wearable as well. Designer Feeha Jamshed walked the ramp for her. Maria B later appeared with her own daughter (who carried a Pakistani flag with her) and Feeha Jamshed and all three of them paid tribute to the country by displaying a symbol of the flag on a scarf tied around their hands.
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The fashion week also had its own share of awards titled the Libas Fashion Awards. Handed out by Sehyr Saigol, they included ‘The Heritage Award’ to Kamiar Rokni for his dedication to reviving the heritage of the country. The ‘Less is More’ award went to designer Sarah Shahid from the Sublime label. The ‘Designer of the PFDC Sunsilk Fashion Week’ went to Iman Ahmed of the Body Focus Museum who wasn’t present to receive it. The ‘New Designer’ award went to Ali Zeeshan.The ‘Best Female Model’ went to Nadya Hussain and the ‘Best Male Model’ went to Mohammad.
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Hassan Shehryar Yasin ended the event in his signature grand style with an elaborate bridal collection, both men and women’s wear. It was dedicated to his grandmother, Mumtaz Jehan. The designer who is considered to have been the first to introduce fashion branding in the country wows by numbers and unique choreography and the sheer number of models who walked the ramp for him seemed to, in a way, signify the enormity of the fashion house in itself. His surprise celebrity for the evening was the Prince of Pakistani Pop, Ali Zafar who came in a glittering gold sherwani and sang a soulful single of his upcoming album. Both the designer and the singer received a huge round of applause with many members standing up for them. It was a grand end to an eventful fashion week.

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Celebrities

Aymen Saleem Slams Drama for ‘Rope Scene’ Romanticising Abuse

Aymen Saleem

Actress Aymen Saleem has spoken out against the troubling portrayal of abuse in a recent drama, calling it out for romanticising harmful behaviour in the name of storytelling.

Taking to Instagram, Aymen posted a strong statement criticising the way a female character was shown tied up with ropes by her husband a scene that was framed with romantic music and gestures. Without naming the drama, she expressed her deep concern over how such content is being normalised.

In a powerful Instagram story, she said, “Enough is enough. I’m deeply disturbed by the way a recent drama is portraying abuse  tying up a woman with ropes, showing it in romantic or bold light, and then normalising it as part of a love story.”

She criticised how such scenes are being packaged as entertainment and said this trend is harmful, not harmless fiction. “This isn’t entertainment. It’s dangerous storytelling,” she added.

Aymen pointed out that women in Pakistan already face many struggles within marriage including patriarchy, emotional and physical abuse, and societal pressure. In such a reality, media has a major responsibility.

She wrote that dramas should promote relief, strength, and progress not show harmful acts as expressions of love. “We’ve made strides in showcasing strong, self-aware female leads and breaking generational curses. Why are we slipping back?” she asked.

Aymen Saleem’s Key Take

Calling for change, she urged writers, producers, channels, and especially actors to be mindful about the stories they support and choose.

“This is not just fiction – this shapes culture,” Aymen warned.She ended by reminding everyone that scenes like these do not reflect love they only make abuse look normal.

Aymen’s statement has sparked conversations across social media, with many supporting her stance and calling for more responsible storytelling in Pakistani television.

Also Read: Aymen Saleem Slams Trolls for Criticizing Kubra & Gohar’s Wedding

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Danish Taimoor Basks in Success of ‘Mann Mast Malang’ Despite Backlash Over Controversial Content

In a week where criticism roared louder than applause, Danish Taimoor stood tall — not in defiance, but in triumph; the popular actor is riding high on the unprecedented success of his drama serial Mann Mast Malang, which has claimed the second spot among Pakistan’s most-watched shows this week, even as debates swirl around its controversial themes.

While the drama has come under scrutiny for what many consider a troubling glorification of toxic relationships, audiences appear to be tuning in with persistent interest. The storyline’s bold portrayal of possessiveness and masculinity has sparked widespread concern among critics and celebrities alike; many have raised red flags over how Mann Mast Malang walks the tightrope between intense romance and psychological abuse, and whether it crosses a dangerous line.

Despite this, the numbers speak volumes; Taimoor recently took to Instagram to share a celebratory poster, revealing jaw-dropping viewership stats: 25 million views for his new drama Sher, and a solid 15 million for Mann Mast Malang. Captioning the post with a telling statement—“1st“ and 2nd. Success does not need a spotlight. It speaks loud and clear.” — He made it clear that his focus remains on audience response, not controversy.

On one hand, Danish’s starrer is being dissected by critics for promoting regressive narratives. On the other hand, it is dominating the charts, outperforming even family-oriented serials with socially responsible themes.

Read more: Danish Taimoor Under Fire: Is Mann Mast Malang Crossing the Line of Cultural Integrity?

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Celebrities

Mahira Khan’s Prayer Sparks Online Debate

Mahira

Mahira Khan, who along with co-star Humayun Saeed is currently busy promoting their upcoming film “Love Guru,” slated for release on June 6, had an awkward moment when she asked fans to pray for her film’s success, leading to her being trolled on social media.

The film’s trailer was unveiled last month, along with several songs that have been well received by audiences. The duo has already promoted the film in the US, UK, and UAE and are now engaged in a nationwide promotional campaign in Pakistan.

It should be noted that the film’s trailer was recently screened on the digital billboards at Times Square in New York City.

Recently, the stars appeared at a promotional event where Mahira Khan, while speaking to the media, urged fans to collectively pray for the film’s success. During the same event, Humayun Saeed praised director Nadeem Baig, calling him the best in the country—though he humorously noted that Baig still charges him full fees.

Mahira Khan also expressed her hope that Love Guru earns more than one billion rupees. Addressing the audience, she asked everyone to say “Ameen” to her prayer and proposed a group prayer for the film’s success.

A video of Mahira’s heartfelt appeal has gone viral, sparking a wave of reactions on social media. While many found the moment endearing, some critics took a swipe at the actress for asking for prayers over box office earnings.

Here’s how the netizens reacted:

Also Read: Khalil Ur Rehman Qamar Replies To Mahira Khan’s Latest Statement

 

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