Entertainment
Why Pakistani Content Rarely Make it to Netflix? Read Nabeel Qureshi’s Stance

Prominent filmmaker Nabeel Qureshi talks about the challenges obstructing the global visibility of Pakistani content on major streaming platforms, particularly focusing on the hurdles faced by Pakistani productions in securing a spot on Netflix. The heightened political tensions between India and Pakistan stand out as a key factor influencing the accessibility and recognition of Pakistani content on Netflix.
Challenges in the Representation of Pakistani Content on Netflix
Nabeel Qureshi sheds light on the dynamics within Netflix, emphasizing a transition from a centralized head office in Los Angeles to a regional office in India. According to the director, this shift has played a substantial role in impeding the promotion and acquisition of Pakistani content on the platform. The evolving geopolitical climate, marked by increased tensions between the two nations, has resulted in a decline in the visibility of Pakistani films on Netflix. Nabeel asserts, “Ever since tensions between India and Pakistan have increased, Netflix first had its head office in Los Angeles from where all the dealings would take place. Now, they’ve made a regional office which is India.”
Addressing the linguistic dimension, the filmmaker highlighted that the common language shared between India and Pakistan may contribute to the absence of a distinct niche for Pakistani content. Despite acknowledging the vast size and historical richness of the Indian film industry, Nabeel proposed that a unique linguistic identity could potentially establish a specialized space for Pakistani content on global platforms.
“In essence, what I’m suggesting is that this is one of the reasons for the overall scarcity of Pakistani content on Netflix,” remarked Nabeel. “Firstly, they are not acquiring it. Perhaps they are not interested, or maybe there are political considerations at play.” He elaborated, “It seems illogical. The Indian industry is undeniably colossal. It’s massive. They could conceivably cater to ten platforms like Netflix. With an extensive array of content, it stands as a colossal industry with a century-long history, in contrast to ours, which has been operational for merely five years and then diminishes. Acknowledgment where it’s due, that’s quite an accomplishment.”
Political Complexities Surrounding Both Countries
Nabeel Qureshi extends his observations beyond Netflix to other streaming platforms, highlighting similar challenges on platforms like Amazon Prime. He underlines the impact of political reasons on the global availability of Pakistani content, citing the prevalence of Indian content on Netflix as a testament to the intricate political dynamics at play. Nabeel contends that Indian content, with its vast industry and extensive repertoire, holds sway over streaming platforms, overshadowing the representation of Pakistani productions.
Read more: Why Netflix Avoids Investing In Pakistan?
Entertainment
Netflix Postpones Premiere of Pakistan’s First Original Series “Jo Bachay Hain Sang Samait Lo”

The much-awaited Pakistani Netflix series Jo Bachay Hain Sang Samait Lo has officially been delayed. Initially set to make its debut in June 2025, the release has now been pushed to a tentative window between October and November 2025. While the announcement might disappoint die-hard fans, insiders reveal that the delay signals something far more promising—a final polish to ensure cinematic excellence.
This isn’t just another TV show; Jo Bachay Hain Sang Samait Lo is a milestone for Pakistan’s entertainment industry. As the country’s first-ever Netflix original, the series marks a historic leap into the global streaming arena. Expectations are sky-high, and understandably so. With a production backed by Momina Duraid Productions and a story adapted from Farhat Ishtiaq’s bestselling novel, this drama was never going to be anything less than grand.
Industry whispers suggest that the project has entered its final post-production phase, where creators are meticulously fine-tuning every frame. The extra months are being used to elevate the series to international standards—ensuring not just a Pakistani success, but a global triumph.
Then there’s the cast—an ensemble that reads like a who’s who of Pakistani cinema. Fawad Khan, Mahira Khan, Sanam Saeed, Ahad Raza Mir, Hamza Ali Abbasi, Maya Ali, Hania Aamir, Khushhal Khan, Iqra Aziz, and Bilal Ashraf—each star bringing a unique brilliance to the screen. Their roles, drawn from Ishtiaq’s emotionally rich characters, are poised to deliver performances that resonate far beyond borders.
Read more: Netflix Set to Release Its First Pakistani Production
Entertainment
Shazeal Shoukat Halts Project Amid India-Pakistan Tensions

Emerging actor and model Shazeal Shoukat revealed that she has been among those significantly affected by the recent tensions between Pakistan and India.
She shared that she had been working on an Indian web series, but the project came to a halt due to the strained relations.
When asked about working in Bollywood, Shazeal said she would gladly accept an opportunity—provided she receives respect in return.
In the same interview, she criticized Fawad Khan for staying silent during the recent conflict with India.
Shazeal made these remarks during a recent appearance on FHM, where she discussed various topics. She also expressed her desire to grow as an actor, aiming to refine her skills with more training and experience.
Shazeal Soukat in Entertainment
Shazeal Shoukat made her acting debut as Maira in Pakeeza Phuppo on ARY Digital. She then played Mishaal in Meri Mishaal on Aaj Entertainment, a character who falls in love with a famous actor.
In 2021, she portrayed Laiba in Benaam on ARY Digital. In 2022, she appeared in Nisa, Dikhawa Season 3 on Geo Entertainment, and Teri Rah Mein as Maha, a college student manipulated by a friend. She also starred in the film Ghabrana Nahi Hai alongside Saba Qamar and Zahid Ahmed.
In 2023, she played Ramsha in Mann Aangan, followed by a role in Samjhota on ARY Digital. She later appeared as Maria in Adawat, acting alongside Fatima Effendi, Syed Jibran, and Saad Qureshi.
Also Read: Shazeal Shoukat explains why she disabled Instagram comments, saying, “I needed a break.”
Entertainment
Zainab Yousaf Faces Heat Over Bitter Comments About Cousins

Zainab Yousaf, an emerging media face and aspiring model, has found herself in the eye of a digital storm after an explosive interview clip surfaced online — one that has left audiences divided and social platforms ablaze.
During her appearance on a talk show alongside comedian Qaiser Piya and host Vasay Chaudhry, Zainab Yousaf was asked a lighthearted question: whether she ever had feelings for any of her cousins — a common cultural query often met with playful or diplomatic responses. But what followed was a sharp, unexpected outburst that has since drawn widespread criticism.
“God forbid! May it never happen,” she said with visible disdain, before adding, “I hate my aunt’s sons, I hate my uncle’s sons, and I hate my maternal cousins. All are dead to me.”
Zainab’s words left the hosts visibly stunned. She went on to describe her extended family as “toxic,” citing unspecified past experiences that, according to her, led to this deeply rooted resentment. Her tone, however, veered less towards emotional reflection and more toward outright hostility — something that didn’t sit well with viewers.
The backlash was swift. Many on social media accused her of airing personal grievances in a public forum with unnecessary bitterness. Critics questioned the maturity of her statement and highlighted the irony in her stance — especially considering that her own brother is likely a cousin to someone else.
“She’s displaying more toxicity than the people she’s condemning,” read one pointed comment. Others took aim at her upbringing, calling her remarks a reflection of deep-seated emotional issues and a lack of basic courtesy.
Read more: Is Zainab Raza Related To Former President Parvez Musharraf?
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