Entertainment
Why Pakistani Content Rarely Make it to Netflix? Read Nabeel Qureshi’s Stance

Prominent filmmaker Nabeel Qureshi talks about the challenges obstructing the global visibility of Pakistani content on major streaming platforms, particularly focusing on the hurdles faced by Pakistani productions in securing a spot on Netflix. The heightened political tensions between India and Pakistan stand out as a key factor influencing the accessibility and recognition of Pakistani content on Netflix.
Challenges in the Representation of Pakistani Content on Netflix
Nabeel Qureshi sheds light on the dynamics within Netflix, emphasizing a transition from a centralized head office in Los Angeles to a regional office in India. According to the director, this shift has played a substantial role in impeding the promotion and acquisition of Pakistani content on the platform. The evolving geopolitical climate, marked by increased tensions between the two nations, has resulted in a decline in the visibility of Pakistani films on Netflix. Nabeel asserts, “Ever since tensions between India and Pakistan have increased, Netflix first had its head office in Los Angeles from where all the dealings would take place. Now, they’ve made a regional office which is India.”
Addressing the linguistic dimension, the filmmaker highlighted that the common language shared between India and Pakistan may contribute to the absence of a distinct niche for Pakistani content. Despite acknowledging the vast size and historical richness of the Indian film industry, Nabeel proposed that a unique linguistic identity could potentially establish a specialized space for Pakistani content on global platforms.
“In essence, what I’m suggesting is that this is one of the reasons for the overall scarcity of Pakistani content on Netflix,” remarked Nabeel. “Firstly, they are not acquiring it. Perhaps they are not interested, or maybe there are political considerations at play.” He elaborated, “It seems illogical. The Indian industry is undeniably colossal. It’s massive. They could conceivably cater to ten platforms like Netflix. With an extensive array of content, it stands as a colossal industry with a century-long history, in contrast to ours, which has been operational for merely five years and then diminishes. Acknowledgment where it’s due, that’s quite an accomplishment.”
Political Complexities Surrounding Both Countries
Nabeel Qureshi extends his observations beyond Netflix to other streaming platforms, highlighting similar challenges on platforms like Amazon Prime. He underlines the impact of political reasons on the global availability of Pakistani content, citing the prevalence of Indian content on Netflix as a testament to the intricate political dynamics at play. Nabeel contends that Indian content, with its vast industry and extensive repertoire, holds sway over streaming platforms, overshadowing the representation of Pakistani productions.
Read more: Why Netflix Avoids Investing In Pakistan?
Entertainment
Mehar Bano Breaks Silence on Harassment in Showbiz

Pakistani actress and dancer Mehar Bano has boldly exposed the harassment that exists behind the glamour of the entertainment industry.
While appearing on a private TV show hosted by Tabish Hashmi, the Taxali Gate star responded to a question from a young audience member by confirming that, like many other fields, showbiz also has a dark side. She revealed that powerful individuals often pressure artists—both men and women—with inappropriate demands in exchange for work opportunities.
Known for her outspoken nature and strong social media presence, Mehar Bano explained that artists’ charm and appearance make them easy targets for harassment. She emphasized the need to confront this issue directly, stating, “Often, both boys and girls face harassment,” and called for open conversations about exploitation in the industry.
Meher Bano in the Showbiz Industry
Mehar Bano began her career while studying at the National College of Arts. She gained recognition for her performances in television dramas and played the lead role of Umama in ARY Digital’s Daagh (2012), earning a nomination for Best Television Actress at the 13th Lux Style Awards. She later starred in leading roles in Miss Fire (2013), Uff Yeh Mohabbat (2014), and Bunty I Love You (2014).
She also appeared in dramas like Mor Mahal, Lashkara, and Balaa. In 2018, she made her film debut with Motorcycle Girl.
In 2021, Mehar Bano stirred controversy by publicly stating that she supported homosexual rights in Pakistan as one of her reasons for joining the Aurat March. Her statement led to significant online backlash and mass reporting, resulting in the deletion of her Instagram account.
Also Read: Mehar Bano’s Dance Video Sparks Digital Firestorm: What’s the Scoop?
Entertainment
Mishi Khan Slams ‘Ugly’ Labubu Doll Trend, Warns of Evil Energies

In a time when quirky collectibles like the Labubu doll are sweeping through the digital world and dominating Gen Z and Gen Alpha’s wish lists, Pakistani actress and host Mishi Khan has stepped into the conversation and she isn’t holding back.
The Labubu doll, a strange-looking toy with spiky teeth, odd proportions, and an undeniably mischievous expression, has become the latest craze among social media users and influencers. Originally created by Pop Mart, the toy was once a luxury collectible with prices reaching PKR 7,000 to 35,000, depending on rarity and edition. But the wave of popularity has now led to a flood of counterfeit Labubus across local markets and online platforms in Pakistan — making them even more visible, especially on bags and accessories.
But not everyone is charmed by this peculiar figure.
Mishi Khan, known for her bold and unfiltered opinions, recently posted a video warning fans against the Labubu craze. “This Labubu trend, which people consider a status symbol, is a curse,” she asserted, adding that people are blindly buying into a fad that might be masking deeper, darker energies. “Have you even looked at it closely? Horrible teeth, spooky eyes — this doll is not cute, it’s creepy,” she added with emphasis.
She went on to claim that such toys could attract negative energy or even evil spirits, urging parents and collectors alike to think twice before jumping on the bandwagon. “Even if someone gave it to me for free, I wouldn’t hang this ugly thing on my bag,” she said bluntly. “Don’t waste your money on these Dajjali-looking dolls.”
Interestingly, Mishi’s strong stance seems to have struck a chord with many netizens. One user commented, “It’s a Satanic doll, I agree with Mishi.” Another chimed in, “Didn’t even know what a Labubu was — but now I’ve seen it, and it’s horrifying.”
While celebrities like Hania Aamir, Maya Ali, Juggun Kazim, and even Aiman Khan’s daughter have been seen proudly flaunting their Labubu dolls, Mishi Khan’s remarks have sparked a growing counter-conversation — one rooted in cultural sensitivity and spiritual caution.
Whether you love it or loathe it, the Labubu doll is no longer just a toy — it’s become a flashpoint for a wider debate about trends, identity, and what we welcome into our lives in the name of style.
Read more: Mishi Khan Warns Kangana: ‘One Punch From Me Is Enough’
Entertainment
Sarwat Gilani Calls Out Nadia Khan for Harsh Criticism

Actress Sarwat Gilani took a firm stand against fellow artist Nadia Khan, calling out her recent wave of criticism against Pakistani actors who remained silent during the India-Pakistan political tensions. Sarwat’s response wasn’t just a defence of individuals—it was a plea for empathy, professionalism, and mutual respect within the entertainment fraternity.
Nadia Khan had publicly lashed out at several celebrities, accusing them of valuing their international image, YouTube numbers, and social media followings over patriotism. However, Sarwat saw Nadia’s statements as unnecessarily harsh and deeply unfair, particularly when aimed at celebrated figures like Fawad Khan.
Sarwat Gilani firmly stated, “Please forgive him. Fawad Khan was already committed to a project abroad—he was simply fulfilling his professional responsibilities. What actors do in their careers should not be up for public moral trials.”
She didn’t stop there. Sarwat directly addressed Nadia, with a composed but piercing reminder: “Nadia Khan, you also had your moments, your choices, your controversies. None of us have forgotten. But we never shouted at you or disrespected you publicly. So please don’t treat your peers as if they owe you an explanation or as if they’re your house staff.”
Highlighting the importance of dignity in public discourse, Sarwat added, “Senior artists have the power to uplift the industry with their words. Tearing others down helps no one. Critique is fine, but it must come with respect and wisdom.”
Read more: Nadia Khan Backtracks on Hania Aamir’s Bollywood Debut
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